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PSA vol. XXXII (2019)
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Special Issue on “Pirandello and Alienation: Man, Modernity,Technology”
Editors: Michael Subialka and Lisa Sarti
Guest Editors: Ana Ilievska and Andrea Sartori
Managing Editor: Laura A. Lucci
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Editors’ Note
Lisa Sarti and Michael SubialkaGuest Editors’ Introduction
Ana Ilievska and Andrea SartoriIn Memoriam
AGAINST ALL ODDS: THE LEGACY OF GIUSEPPE FAUSTINI (1949-2024)
Giuseppe BologneseREMEMBERING PROFESSOR UMBERTO MARIANI (1927-2024)
Simona WrightESSAYS
ALIENATIO MENTIS, HUMOR, CONTEMPLATION. LUIGI PIRANDELLO AND THE POETICS OF DISINTEREST
Davide Savio“IS THERE ANY LOGIC?”: GROUNDLESSNESS, THE POSSIBLE, AND EMPATHY IN LUIGI PIRANDELLO’S “THE TRAGEDY OF A CHARACTER” (1911)
Andrea SartoriRE-TRACING THE INDIVIDUAL IN THE LATE MATTIA PASCAL: ON DEMOCRACY'S SUICIDAL TENDENCIES
Nicholas StraehlIMAGINED ORDERS: LIMINAL AGENCY IN THE LATE MATTIA PASCAL
John MastrogianakosPIRANDELLIAN REFLECTIONS IN BLACK MIRROR
Alessio AlettaWOMEN AND ALIENATION FROM NARRATIVE TO THEATER IN PIRANDELLO’S WORKS
Daniela BiniMY BODY/MY MONSTER: AUTOBIOGRAPHY AND TESTIMONY IN PIRANDELLO’S QUADERNI DI SERAFINO GUBBIO OPERATORE
Amanda RecuperoALIENATED FROM NATURE: SULFUR EXTRACTION AND PIRANDELLO’S ENVIRONMENTAL SENSIBILITY
Roberto FerriniWORDS, SILENCE: SERAFINO YESTERDAY AND TODAY
Antonio SicheraALIENAZIONE IN I VECCHI E I GIOVANI BY LUIGI PIRANDELLO
Maria Rosaria Vitti-AlexanderDRAMATURGIES
PIRANDELLIAN DRAMATURGIES, FOURTH EDITION: NON-HUMAN ACTORS
Stefano Boselli
HOW COULD YOU?
R. Johns
MILAN AND AROUND THE WORLD IN SECONDS
Joshua PiperLET’S GET IT OVER WITH
Timothy KrauseTHE CHOICE
Nick GabrielBOOK & PERFORMANCE REVIEWS
[BOOK REVIEW] ROSA ERRICO. PIRANDELLO E HUSSERL: DALL’ESTETICA DELLA FANTASIA AL LINGUAGGIO [PIRANDELLO AND HUSSERL: FROM THE AESTHETICS OF FANTASY TO LANGUAGE]. PISA AND ROME: RUBBETTINO, 2022.
Michael Subialka[PERFORMANCE REVIEW] STAGING SICILIAN HERITAGE: TARARÀ AND THE ART OF TRANSLATING PIRANDELLO FOR GLOBAL AUDIENCES
Lisa Sarti
[PERFORMANCE REVIEW] SIX CHARACTERS IN SEARCH OF AN AUTHOR. ADAPTED BY NICK GABRIEL
Daniela Bini[PERFORMANCE REVIEW] SIX CHARACTERS IN SEARCH OF AN AUTHOR. ADAPTED AND DIRECTED BY NICK GABRIEL IN SAN DIEGO, CA.
Antonio Iannotta
Editors: Michael Subialka and Lisa Sarti
Managing Editor: Laura A. Lucci
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Editors’ Note
Lisa Sarti and Michael SubialkaESSAYS
THE STEPDAUGHTER AS RAISONNEUSE: TOWARDS A FEMININE READING OF THE PIRANDELLIAN CHARACTER
Annunziata ZevolaLIVING SPONTANEOUSLY BY BEING ONE WITH THE WORLD: ZEN IN UNA GIORNATA, THE LAST VOLUME OF PIRANDELLO’S NOVELLE PER UN ANNO
Enrico VettoreTHE HUMOR OF RETROSPECTIVITY: DISSOLUTION AND RESISTANCE IN THE LATE MATTIA PASCAL AND ONE, NO ONE, AND ONE HUNDRED THOUSAND
Lorenzo MecozziMETAFICTION AS THE EXPRESSION OF CRISIS: THE CASE OF LUIGI PIRANDELLO AND MIGUEL DE UNAMUNO
Francesca MagarioTHE “SIX CHARACTERS” OF GIUSEPPE FAVA’S DELIRIO (1980)
Pierlorenzo RandazzoIN CONVERSATION
GIVING A VOICE TO THE VOICELESS: THE FICTIONAL TRUTH OF MARIA ANTONIETTA PORTULANO
Alessio Arena in conversation with Lisa SartiADAPTING PIRANDELLO’S THE LATE MATTIA PASCAL FOR THE CONTEMPORARY AMERICAN STAGE
Will Eno in conversation with Michael SubialkaCREATIVE WORK
DEATH OF THE LATE MATTIE PASCAL, AN EXCERPT
Will EnoSIX CHARACTERS IN SEARCH OF AN AUTHOR, AN ADAPTATION
Nick GabrielTHE TRAP, AN ADAPTATION
William HugelDRAMATURGIES
PIRANDELLIAN DRAMATURGIES, THIRD EDITION: COMIC AND GROTESQUE
Stefano BoselliSTEFANO IN LOVE
Hal GelbJOKE OF THE CENTURY
Miles AnthonyMEOLA
Robert BrophyBOOK REVIEWS
ELENA TARDONATO FALIERE. LUIGI PIRANDELLO. ROSARIO: LABORDE EDITOR, 2023.
Jorge Jiménez BellverMAN, BEAST, AND VIRTUE BY LUIGI PIRANDELLO. TRANSLATED BY ALICE ROHE. EDITED BY GIUSEPPE BOLOGNESE. NEW YORK: BORDIGHERA PRESS, 2024.
Michael SubialkaPERFORMANCE REVIEW
UNA VERDE VENA DI FOLLIA [A GREEN VEIN OF MADNESS] BY ALESSIO ARENA. DIRECTED BY EMANUELA GIORDANO IN PALERMO.
Enrico Rosolino
Editors: Michael Subialka and Lisa Sarti
Managing Editor: Laura A. Lucci
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Editors’ Note
Lisa Sarti and Michael SubialkaTRIBUTES & IN MEMORIAM
ENRICO BAZZONI, IN MEMORIAM
Michael SubialkaMARIO FRATTI, IN MEMORIAM
Susan TennerielloA TRIBUTE TO THE SERVICE OF JANA O’KEEFFE BAZZONI CO-PRESIDENT OF THE PIRANDELLO SOCIETY OF AMERICA FROM 2003-2022
Mimi D’AponteESSAYS
FROM “IL SIGNORINO” TO “TANINO E TANOTTO”: PIRANDELLO’S “DOUBLE” CONFLICT
Ombretta FrauLUIGI PIRANDELLO MAKES HIS DEBUT IN PALERMO: THE FIRST TRACES OF NOVELLE PER UN ANNO IN HIS YOUTHFUL WORK (1884-1887)
Maria CollevecchioTHE LUCID MADNESS OF BELLUCA IN PIRANDELLO’S “THE TRAIN HAS WHISTLED”
Carlo Di Lieto, translated by Bradford A. MasoniTHE REPRESENTATION OF PAIN IN PIRANDELLO’S SHORT STORIES: TOWARDS AN ETHICS OF TRANSLATABILITY
Marella Feltrin-MorrisIN CONVERSATION: REFLECTIONS ON TRANSLATIONS
THE NEW VOICE
Fabio BattistaREFLECTIONS ON TRANSLATING STORIES FOR A YEAR
Maria EnricoREFLECTIONS ON TRANSLATING LUIGI PIRANDELLO’S SHORT STORIES
Emanuela Pecchioli and Alexander BertlandTRANSLATING ABSENCE AND PRESENCE: PIRANDELLO’S “LA BUON’ANIMA” (“THE DEARLY DEPARTED”)
Caterina AgostiniREFLECTIONS ON TRANSLATING THE NOVELLE PER UN ANNO
Steve EatonCREATIVE WORK
PIRANDELLIAN DRAMATURGIES, SECOND EDITION: SHORT STORIES TO DRAMA
Stefano BoselliIF…
Robert BrophyWEDDING NIGHT
James ArmstrongVILOMAH
Elisabetta BracerTO THE MOON AND BACK
Joshua PiperPERFORMANCE REVIEW
ENRICO IV ADAPTED BY MARIO GAZIANO AND DIRECTED BY MARIO SORBELLO IN AGRIGENTO
Enza De FrancisciBOOK REVIEWS
ALL YOU NEED IS A FATHER. BY STEFANO PIRANDELLO. TRANSLATED BY ENZA DE FRANCISCI AND SUSAN BASSNETT. IMOLA: CUE PRESS, 2022.
Bradford MasoniTHE COAZZE NOTEBOOK. BY LUIGI PIRANDELLO. TRANSLATED AND EDITED BY LISA SARTI. NEW YORK: BORDIGHERA PRESS, 2022
Ana IlievskaSCIVERE, OVVERO NASCERE A SÉ STESSO. SAGGIO SU LUIGI PIRANDELLO. [WRITING, OR BEING BORN TO ONESELF. AN ESSAY ON LUIGI PIRANDELLO.] BY DOMINIQUE BUDOR. PISA AND ROME: FABRIZIO SERRA, 2022.
Michael Subialka
Editors: Michael Subialka and Lisa Sarti
Managing Editor: Julianne VanWagenen
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Editors’ Note
Lisa Sarti and Michael SubialkaVISUAL WORK
WE ARE ALL PUPPETS: MARIONETTES, HAND PUPPETS, MASKS, AND SHADOWS
Martina VandaTHE LICENSE
Francesco ManentiREVÈRSO
Paola RenzettiCREATIVE WORK
CADA LOCO
Carlos JeromeMASKS
Yasmine Beverly RanaGUN IN MOUTH
Emilio WilliamsA BEAUTIFUL WOMAN (NA BEDDA FIMMINA)
Carmela Lombardo translated by Ruggero BianchinCARMELA LOMBARDO’S NA BEDDA FIMMINA: NOTES TO THE TEXTS
Ruggero BianchinBOOK REVIEW
MUSSOLINI’S THEATRE: FASCIST EXPERIMENTS IN ART AND POLITICS. PATRICIA GABORIK. CAMBRIDGE: CAMBRIDGE UNIVERSITY PRESS, 2021.
John WellePERFORMANCE REVIEW
REVIEW OF ENRICO IV BY LUIGI PIRANDELLO. PERFORMED BY THE ASSOCIAZIONE SICILIA TEATRO AT THE TEATRO DELLA PERGOLA, FLORENCE, ITALY.
Lisa Sarti
Special Issue on “Six Characters as World Literature”
Editors: Enza De Francisci, Michael Subialka and Lisa Sarti
Managing Editor: Julianne VanWagenen
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ESSAYS
VERGA, DUSE, AND PIRANDELLO: WITHOUT AN AUTHOR
Enza De FrancisciSIX CHARACTERS DURING WORLD WAR I
Pietro FrassicaTHE DIVIDED SELF IN SIX CHARACTERS IN SEARCH OF AN AUTHOR – IN COMMEMORATION OF THE CENTENARY OF SIX CHARACTERS IN SEARCH OF AN AUTHOR (1921-2021)
Carlo Di Lieto translated by Bradford A. MasoniTHE SPACE IN-BETWEEN: SIX CHARACTERS AND THE SEARCH FOR THE RIGHT WAY TO DO A PLAY
Patricia GaborikFILM AND TRUTH: PIRANDELLO’S VISION OF SEI PERSONAGGI FOR THE SCREEN
Michael SyrimisTHE MISSING EPISODE IN TU RIDI AND SIX CHARACTERS IN SEARCH OF AN AUTHOR
Daniela BiniBUILDING A BOURGEOIS THEATRE WITH THE AID OF PIRANDELLO: SIX CHARACTERS IN SEARCH OF AN AUTHOR IN ICELAND
Magnus Thor ThorbergssonSHOW AND TELL FROM PIRANDELLO TO ALBEE: TRAUMA, THEATRICALITY, AND RECONFIGURING THE FOURTH WALL
Laura A. LucciSIX CHARACTERS IN SEARCH OF A LEGACY
Kyle GilletteIN CONVERSATION
WHY SIX CHARACTERS MATTERS TODAY
Rino Caputo, Roberto Cavosi, Marco Gambino, Bradford A. Masoni, Martina Marzi, and Sarah Zappulla Muscarà; translations by Catherine Charles, Enza De Francisci, and Michael SubialkaREAL LIFE, FICTION, AND IMAGINATION: A CONVERSATION ABOUT THE LEGACY OF SIX CHARACTERS IN SEARCH OF AN AUTHOR
Annamaria Andreoli in conversation with Lisa SartiTRANSLATIONS
PIRANDELLO’S PROPOSITIONS. SIX CHARACTERS ON SCREEN – THE PLAYWRIGHT HIMSELF WILL PLAY THE PART OF THE AUTHOR IN THE HOLLYWOOD PRODUCTION (LA STAMPA, JUNE 20, 1933)
Translated and with an introduction by Lisa SartiCREATIVE WORK
TWO CHARACTERS LOOKING FOR A STORY
A short story written by Marcella Di Franco, translated by Enza De Francisci, Lisa Sarti, and Michael SubialkaTHE SON’S SIDE (THE TRUE STORY OF THE SIX CHARACTERS)
A dramatic monologue written by Paolo Puppa, translated by Enza De Francisci, Lisa Sarti, and Michael SubialkaTHE ETERNAL MOMENT #3RR
A one-act play by Diane Rao Harman
(winner of the PSA Pirandellian Dramaturgies Competition, 2021)
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Editors: Michael Subialka and Lisa Sarti
Managing Editor: Julianne VanWagenen
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FRONTMATTER
IT’S ALL RELATIVE: MODERNISM AND SCIENCE, NOTES FROM THE SEATTLE MLA
Julianne VanWagenen, pp. 12-20AN AIR OF UNCERTAINTY: NOTES FROM THE BOSTON NeMLA
Lisa Sarti, pp. 21-26ESSAYS
PIRANDELLO AND US
Antonio Sichera, pp. 28-43LUIGI PIRANDELLO: “THE ARTIST OF LIFE”
Samantha Costanzo Burrier, pp. 44-62ROBERT MUSIL’S ENCYCLOPEDIA OF THE SCIENCES
Samuel Heidepriem, pp. 63-89IN CONVERSATION
PIRANDELLO AS A PROTO-MODERNIST NARRATION
Bradford A. Masoni in conversation with Lisa Sarti, pp. 92-106THE FUTURE OF PIRANDELLO: ON THE NEW DIGITAL EDITION OF PIRANDELLO’S OPERA OMNIA
Antonio Sichera and Antonio Di Silvestro in conversation with Michael Subialka, pp. 107-116TRANSLATIONS
LUIGI PIRANDELLO (Λουίτζι Πιραντέλλο), BY KOSTAS OURANIS
Translated by Mara Theodoritsi, pp. 118-122THE FUMES (IL FUMO), BY LUIGI PIRANDELLO
Translated by Steven Eaton, pp. 123-160PAPER WORLD (MONDO DI CARTA), BY LUIGI PIRANDELLO
Translated by Marella Feltrin-Morris, pp. 161-168FAITH (LA FEDE), BY LUIGI PIRANDELLO
Translated by Marella Feltrin-Morris, pp. 169-176CREATIVE WORK
YOUR LADIES, MR. PIRANDELLO
Written by Luciana Grifi, translated by Daniela Bini, pp. 178-201BOOK REVIEWS
Alessandra Sorrentino and Michael Rössner, eds. PIRANDELLO: NARRAZIONE-MEMORIA-IDENTITÀ. Oxford, Bern, Berlin, Bruxelles, New York, Wien: Peter Lang, 2019.
Ana Ilievska, pp. 211-214
Editors: Michael Subialka and Lisa Sarti
Managing Editor: Julianne VanWagenen
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FRONT MATTER
IN MEMORIAM: GEORGE HOCHFIELD
Remembered by Eileen Gardiner, pp. 15-16IN CONVERSATION
PIRANDELLO AND TRANSLATION: A CONVERSATION ACROSS THE FIELD
Jacob Blakesley, Julie Dashwood, Enza De Francisci, Joe Farrell, Jane House, Jennifer Lorch, Michael Rössner, Elisa Segnini, Alessandra Sorrentino, Mary Ann Frese Witt, and Martha Witt in conversation with Lisa Sarti and Michael Subialka, pp. 19-51DISSOLVING IDENTITY, AGAIN: THE RE-PUBLICATION OF PIRANDELLO’S ONE, NO ONE, AND ONE HUNDRED THOUSAND
Eva Richter in conversation with Michael Subialka, pp. 53-59DEVISING PIRANDELLO: AN INTERVIEW WITH JENNIFER JEWELL AND PATRICK MULRYAN
Jennifer Jewell and Patrick Mulryan in conversation with Jana O’Keefe Bazzoni, pp. 61-81TRANSLATIONS
HELLAS AND PIRANDELLO (Ελλάς και Πιραντέλλο), BY KOSTA OURANIS
Translated by Mara Theodoritsi, pp. 83-87WEDDING NIGHT (PRIMA NOTTE), BY LUIGI PIRANDELLO
Translated by Steve Eaton, pp. 89-97INTERVIEWS WITH CHARACTERS (COLLOQUII COI PERSONAGGI), BY LUIGI PIRANDELLO
Translated by Steve Eaton, pp. 99-113CREATIVE WORK
JENNY AND LUIGI: ALMOST FACE TO FACE
Franco Sepe translated by Daniela Bini, pp. 115-129PERFORMANCE REVIEW
PIRANDELLO IN NEW YORK: “RAISON D’ÊTRE: AN EVENING OF PIRANDELLO”
John Di Gaetani, pp. 131-132BOOK REVIEWS
Marta Fumi. “SENZA L’AMORE NON SARIA MONDO IL MONDO”: NUOVA EDIZIONE DELLE ELEGIE ROMANE DI GOETHE NELLA TRADUZIONE DI LUIGI PIRANDELLO, CON TESTO TEDESCO A FRONTE E COMMENTO. Milan: EDUCatt, 2017.
Anna Klaß , pp. 135-139Enza De Francisci, A ‘NEW’ WOMAN IN VERGA AND PIRANDELLO. FROM PAGE TO STAGE. Oxford: Legenda, 2018.
Patricia Gaborik , pp. 141-144
Editors: Michael Subialka and Lisa Sarti
Managing Editor: Julianne VanWagenen
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ESSAYS
PIRANDELLO AND SATIRE: THE IMAGINARY JOURNEY OF FOUR AUTHORS IN SEARCH OF A CHARACTER ACCORDING TO CHARLES KENNETH SCOTT MONCRIEFF (1899-1930)
Stefano Giannini, pp. 11-26PIRANDELLO POST-TRUTH: HUMOR AND RESISTANCE
Laura Lucci, pp. 29-51LUIGI PIRANDELLO AS MASTER PEDRO IN HIS THEATER OF PUPPETS: A PIRANDELLIAN READING OF MIGUEL DE CERVANTES’S MASTER PEDRO EPISODE
Mara Theodoritsi, pp. 53-77PERFORMANCE REVIEWS
GIANTS IN THE WINDY CITY
Ana Ilievska, pp. 79-86A NOBEL EXPERIMENT
Mimi D’Aponte, pp. 89-91BOOK REVIEWS
Luigi Pirandello. HENRY IV. Translated by Martha Witt and Mary Anne Frese Witt. New York: Italica Press, 2016. pp. xxii + 92. $35 hardback / $20 paperback.
Mira Felner, pp. 93-95SELECTED POEMS OF LUIGI PIRANDELLO. Translated by George Hochfield. New York: Italica Press, 2016. pp. 239. $30.
John Louis Di Gaetani, pp. 97-98Giuseppe Faustini. LUIGI PIRANDELLO: STUDI E RICERCHE. Fano, Italy: Metauro, 2017. pp. 252. €28.
Stefano Boselli, pp. 101-103CREATIVE WORK
LIMES FROM SICILY
Sharon Portnoff, pp. 105-106
Editors: Susan Tenneriello and Michael Subialka
Managing Editor: Lisa Tagliaferri
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ESSAYS
APPROXIMATION OF NIRVANA: FROM INTELLECTUAL SPECULATION TO ZEN NON-PHILOSOPHY IN PIRANDELLO’S UNO NESSUNO E CENTOMILA
Enrico Vettore, pp. 13-29THE BIRTH OF PIRANDELLO’S TRAGEDY: NIETZSCHE IN THE MOUNTAIN GIANTS
Francesca Facchi, pp. 31-55IN CONVERSATION
DACIA MARAINI ON LUIGI PIRANDELLO
Dacia Maraini in conversation with Lisa Sarti, pp. 57-64“I’M AS OBSCURE AS PIRANDELLO IS FAMOUS”: AN INTERVIEW WITH PLAYWRIGHT HOWARD COLYER
Howard Colyer in conversation with Lisa Tagliaferri and Michael Subialka, pp. 67-71ADAPTING PIRANDELLO: ADAM SIEGEL, TRANSLATOR AND ADAPTOR OF LA PATENTE FOR THE ART THEATRE OF DAVIS, MAY 2016
Adam Siegel in conversation with Michael Subialka, pp. 173-79A CONVERSATION WITH DIRECTOR GABRIELE LAVIA: A PIRANDELLO TRILOGY FOR A WORLD WITHOUT TRAGEDY
Gabriele Lavia in conversation with Jana O’Keefe Bazzoni, pp. 81-96PERFORMANCE REVIEW
WRONG END OF THE TELESCOPE: A PIRANDELLIAN ADAPTATION ACROSS TIME AND GENDER
Stefano Boselli, pp. 99-101BOOK REVIEWS
Alberto Godioli. LAUGHTER FROM REALISM TO MODERNISM: MISFITS AND HUMORISTS IN PIRANDELLO, SVEVO, PALAZZESCHI AND GADDA.Oxford, Legenda, 2015.
Roberto Bonci, pp. 103-106Dario Tomasello. EDUARDO E PIRANDELLO: UNA QUESTIONE “FAMILIARE” NELLA DRAMMATURGIA ITALIANA. Rome: Carocci Editore, 2014.
Laura Lucci, pp. 109-115CREATIVE WORK
BEST LAID PLANS (Winner of the PSA prize for original one-act play)
Judd Lear Silverman, pp. 117-154WRONG END OF THE TELESCOPE
Adam Esquenazi Douglas, pp. 157-166THE MAN WITH THE FLOWER IN HIS MOUTH: A CREATIVE ADAPTATION FOR THE CLASSROOM
Paola Basile, pp. 169-185
Editor: Michael Subialka
Managing Editor: Lisa Tagliaferri
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ESSAYS
ENCOUNTERS AND BLIND SPOTS: PIRANDELLO, EVREINOV, AND BRECHT
Elisa Segnini, pp. 11-36TRANSFORMING IDENTITY: SELF AND PERSONA IN LUIGI PIRANDELLO’S IL FU MATTIA PASCAL
Sylvia Hakopian, pp. 39-66THE CRISIS OF SIGNS AND REPRESENTATION IN LUIGI PIRANDELLO’S TRILOGY
Agnès Dengreville, pp. 69-93A BAT TIMES TWO: IL PIPISTRELLO, LUIGI AND STEFANO PIRANDELLO’S CINEMATIC PROJECT, FROM STAGE TO URBAN SCENE
Marialaura Simeone, pp. 95-114PERFORMANCE NOTE AND EXHIBITION REVIEW
DIRECTOR’S NOTE: STAGING ‘MIRROR-STRUCTURES’ IN SIX CHARACTERS IN SEARCH OF AN AUTHOR
Anna Gordon, pp. 117-129DOUBT AND DISTANCING FROM FRAMES TO SHAPES: FAUSTO PIRANDELLO’S ECLECTIC PAINTINGS EXHIBITED IN LONDON (ESTORICK COLLECTION, JULY 8 - SEPTEMBER 6, 2015)
Matthew Mild, pp. 131-133BOOK REVIEW
Carlo Di Lieto. LUIGI PIRANDELLO PITTORE. Venice: Marsilio, 2012.
Lisa Sarti, pp. 135-139CREATIVE WORK
DIALOGO IMMAGINARIO TRA LUIGI PIRANDELLO E IL FIGLIO FAUSTO / IMAGINARY DIALOGUE BETWEEN LUIGI PIRANDELLO AND HIS SON FAUSTO
Luciana Grifi, translated by Daniela Bini, pp. 140-162
Editor: Michael Subialka
Managing Editor: Lisa Tagliaferri
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ESSAYS
“CONTINENTAL AIR”: PERFORMING IDENTITY IN “LEONORA, ADDIO!”, L’ARIA DEL CONTINENTE, AND QUESTA SERA SI RECITA A SOGGETTO
Elisa Segnini, pp. 13-43LA CANZONE DELL’AMORE: ADAPTING PIRANDELLO TO FASCISCT PROPAGANDA
Paolo Campolonghi, pp. 45-61SCRIPTING “IL CIELO DI CARTA”: THE MEN BEHIND THE CURTAIN IN PAOLO AND VITTORIO TAVIANI’S CESARE DEVE MORIRE
Alessia Palanti, pp. 83-99PIRANDELLO’S HUMOR AND THE INTERSECTIONS OF TRANSLATION AND DRAMATURGY
Laura A. Lucci, pp. 83-99IN CONVERSATION
PIRANDELLO’S UNREALIZED FILM, TREATMENT FOR SIX CHARACTERS: AN INTERVIEW WITH FILM DIRECTOR AND ARTIST ANNE-MARIE CREAMER
Anne-Marie Creamer in conversation with Lesley G. Sullivan, pp. 101-115PERFORMANCE REVIEWS
TONIGHT WE IMPROVISE in Providence, Translated and Directed by Rebecca Maxfield
Anna Santucci, pp. 117-122REALITY THEATER, STAGING FILM IN THE UNIVERSITY OF NOTRE DAME’S SIX CHARACTERS IN SEARCH OF AN AUTHOR
Thomas Graff, pp. 125-128SIX CHARACTERS in Brooklyn
Suzanne Epstein, pp. 161-168MATTIA PASCAL: THE MAN WHO LIVED – A MULTI-VOCAL EXPLORATION OF PIRANDELLO’S ANTI-NOVEL
Krysta Dennis, pp. 135-139BOOK REVIEWS
Alessandra Sorrentino. LUIGI PIRANDELLO E L’ALTRO. UNA LETTURA CRITICA POSTCOLONIALE. Rome: Carocci Editore, 2013.
Lisa Sarti, pp. 141-145Michael Rössner and Alessandra Sorrentino, eds. PIRANDELLO E LA TRADUZIONE CULTURALE. Rome: Carocci Editore, 2012.
Michael Subialka pp. 147-150
Editor: Samantha Costanzo Burrier
Managing Editor: Lisa Sarti
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ESSAYS
ANTHROPOLOGY ON SCREEN: LUIGI PIRANDELLO, VIRGINIA WOOLF
Nicoletta Pireddu, pp. 13-31A DIFFERENT LEONE: FROM MEMMO TO LEONE
Enza De Francisci, pp. 33-48SISTER ARGUMENTS: PIRANDELLO’S “SHOOT!” AND THE BIRTH OF FILM
Joseph Luzzi, pp. 51-69PIRANDELLO’S MOTHER: FEMININE PERCEPTION AND DOUBLE VISION
Michael Subialka, pp. 71-95A CONVERSATION WITH MY MOTHER, BY LUIGI PIRANDELLO
Translated by Miriam Aloisio and Michael Subialka, pp. 97-107PIRANDELLO AND LIOLÀ: SON OF CHAOS
Tanya Ronder, pp. 109-113PERFORMANCE REVIEWS
LIOLÀ at the National Theatre, London
Jane House, pp. 115-120S16 – LUNA NERA by Pioneers Go East Collective
Artistic Director, Gian Marco Lo Forte in conversation with Stefano Boselli, pp. 123-129A GIANT SUCCESS: A STAGED READING OF THE GIANTS OF THE MOUNTAINS (The Gallery, Theaterlab, NYC, October 15, 2013)
Samantha Costanzo Burrier, pp. 131-137(Un)–JUST LIKE THAT–Pirandello’s Brush with America’s Scalding Pot
Carlo Giuliano, pp. 139-144BOOK REVIEW
Umberto Mariani. LA DONNA IN PIRANDELLO. L’ESTREMA VITTIMA. Caltanissetta-Roma: Salvatore Sciascia Editore, 2012.
Chiara Mariani, pp. 147-150PLAY SCRIPT
HOMELAND SECURITY
Mimi Gisolfi D’Aponte, pp. 153-165
Editors: Stefano Boselli and Samantha Costanzo Burrier
Managing Editor: Lisa Sarti
Review Editor: Janice Capuana
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ESSAYS
PIRANDELLO: A WORK IN PROGRESS
Bonnie Marranca, pp. 9-34ADOLF LANTZ AND SAUL C. COLIN: PIRANDELLO’S COLLABORATORS FOR A FILM VERSION OF SIX CHARACTERS IN SEARCH OF AN AUTHOR
Jana O’Keefe Bazzoni, pp.37-48THE PROLOGUE TO A SCREEN ADAPTATION OF SIX CHARACTERS
Translated by Jana O’Keefe Bazzoni, pp. 51-54PIRANDELLO IN ONE ACT: A FESTIVAL AT THE PLAYERS
Marie Bridget Dundon, Julia Goldstein, Hillary Miller, pp. 57-69PERFORMANCE REVIEWS
SIX CHARACTERS, ALIVE ON THE CHICAGO STAGE
Michael Subialka, pp. 71-75DANCING PIRANDELLO: DAVID GORDON’S BEGINNING OF THE END OF THE …
Susan Tenneriello, pp. 77-81BOOK REVIEW
Luigi Pirandello. Pirandello’s Theatre of Living Masks: New Translations of Six Major Plays. Translated by Umberto Mariani and Alice Gladstone Mariani. Toronto: University of Toronto Press, 2011.
Stefano Boselli, pp. 83-88
Editor: Susan Tenneriello
Managing Editor: Lisa Sarti
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FRONT MATTER
IN MEMORIAM: NISHAN PARLAKIAN
John Martello, pp. 11-12ESSAYS
PIRANDELLO, O’NEILL, AND THE MEDIATION OF RACE: THE MUSICAL COMEDY FOR BROADWAY
Lisa Sarti, pp. 15-41CLOTHES (DON’T) MAKE THE (WO)MAN: COSTUME AS MASK AND IDENTITY IN ENRICO IV AND NOSTRA DEA
Stefano Boselli, pp. 43-62AQUILA THEATRE’S PRODUCTION OF SIX CHARACTERS IN SEARCH OF AN AUTHOR AND AN INTERVIEW WITH DIRECTOR DESIREE SANCHEZ
Jane House, pp. 65-73EVENTS
ON CHAOS IN ABU DHABI: WORKING THROUGH PIRANDELLO
Mimi Gisolfi D’Aponte, pp. 75-81IN PERFORMANCE
“LETTER DIALOG” OF LUIGI PIRANDELLO AND MARTA ABBA ADAPTED FOR PIETRO FRASSICA’S HER MAESTRO’S ECHO: PIRANDELLO AND THE ACTRESS WHO CONQUERED BROADWAY IN ONE EVENING
Pietro Frassica and Mimi Gisolfi D’Aponte, pp. 83-91
Editor: Susan Tenneriello
Managing Editor: Lisa Sarti
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ESSAYS
VITAL THEATER: PIRANDELLO, MARINETTI, AND LEBENPHILOSOPHIE
Michael Subialka, pp. 11-41PIRANDELLO, THEOSOPHY AND THE TANTALUS SYNDROME
Samantha Costanzo, pp. 43-69GARIBALD IN SICILY IN PIRANDELLO’S L’ESCLUSA
Nadine Wassef, pp. 71-85PERFORMANCE REVIEW
HENRY IV, Classic Stage Company, November 2009
Meghan Duffy, pp. 87-88STAGING HER MAESTRO’S ECHO: AN EVENING WITH PIETRO FRASSICA’S LATEST BOOK
Lisa Sarti, pp. 89-91BOOK REVIEWS
Pietro Frassica. HER MAESTRO’S ECHO: PIRANDELLO AND THE ACTRESS WHO CONQUERED BROADWAY IN ONE EVENING.
Jane House, pp. 93-95
Editor: Jana O’Keefe Bazzoni
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FRONT MATTER
IN MEMORIAM: NICHOLAS JOHN STATHIS AND SHUYLER CHAPIN
p. 8ESSAYS
PIRANDELLO’S L’UMORISMO, PART I: “THE WORD HUMOR”
Translated by Antonio Illiano, pp. 11-19PIRANDELLO AND THE INTEGRITY OF THE CREATED TEXT
Umberto Mariani, pp. 21-29PIRANDELLIAN SPECTERS IN CONTEMPORARY PRACTICE: SIX CHARACTERS IN SEARCH OF AN AUTHOR, INTERACTIVE MEDIA, AND PERFORMANCE
Susan Tenneriello, pp. 31-40PIRANDELLISM AND SOCIAL SATIRE IN FERRETTI’S FARSA DE LAS FARSAS
James Troiano, PP. 43-54PERFORMANCE REVIEWS
THE PIRANDELLO EFFECT
Janice Capuana, pp. 57-58THE WORKMANLIKE READING OF PIRANDELLO’S RIGHT YOU ARE! (IF YOU THINK YOU ARE)
Frank Rosengarten, pp. 61-63MARTA ABBA AND PIRANDELLO
Kathryn Wylie-Marques, pp. 65-69BOOK REVIEWS
Umberto Mariani. LIVING MASKS. THE ACHIEVEMENT OF PIRANDELLO.
Stefano Giannini, pp. 71-73John Louis DiGaetani. STAGES OF STRUGGLE.
Elizabeth Coen, pp. 75-78
Editor: Jana O’Keefe Bazzoni
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ESSAYS
HOW FORM AND CONTENT CONTAIN LAUGHTER
Florin Berindeanu, pp. 9-16THE ETHICAL ESSENCE OF “UMORISMO”
Umberto Mariani, pp. 19-28L’UMORISMO AND FEMALE PORTRAITS: BETWEEN THEORY AND FICTION
Paola Casella, pp. 31-43THE HUMORISTIC LENS IN PIRANDELLO’S SI GIRA
Michael Syrimis, pp. 45-63ON HUMOR STRATEGIES IN IT IS SO! (IF YOU THINK SO)
Lidia Ciccone, pp. 65-75COMPLEXITIES OF THE MASK, ENRICO IV AND J. ALFRED PRUFROCK
James Nikopoulos, pp. 77-93PERFORMANCE REVIEWS
SIX CHARACTERS LOST IN A REWRITE
Kurt Taroff, pp. 95-100BOOK REVIEWS
Franco Zangrilli. PIRANDELLO: PRESENZA VARIA E PERENNE.
Stefano Giannini, pp. 103-105HISTORY OF ITALIAN THEATRE. Cambridge University Press.
Marvin Carlson, pp. 107-109
Editor: Jana O’Keefe Bazzoni
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ESSAYS
THE MISPLACED I: IL FIT MATTIA PASCAL AND THE SPECTRALITY OF IDENTITY
Andrew Martino, pp. 7-17IDENTIFICATION AND COMMUNICATION OF THE SELF IN PIRANDELLO
Umberto Mariani, pp. 19-27PARALLEL ELEMENTS OF MODERNITY IN LUIGI PIRANDELLO AND JOSEPH CONRAD
Valerie Petrocchi, pp. 29-42PIRANDELLISM IN FIDEL A, A GROTESQUE FARCE BY AURELIO FERRITTI
James Troiano, pp. 45-52INTERVIEW WITH JOHN TURTURRO
Mimi Gisolfi D’Aponte, pp. 55-77PERFORMANCE REVIEWS
SIX CHARACTERS AT HOFSTRA
John Luis DiGaetani, pp. 79-81TWO AT THEATRE STUDIO: PIRANDELLO’S THE MAN WITH A FLOWER IN HIS MOUTH AND LUCA ROSSETTI’S HE WHO LAUGHS LAST LAUGHS BEST
Susan Tenneriello, pp. 83-85KAOS, NEW YORK THEATRE WORKSHOP
Jane House, pp. 87-89BOOK REVIEWS
Jennifer Lorch. PIRANDELLO: SIX CHARACTERS IN SEARCH OF AN AUTHOR
Jana O’Keefe Bazzoni, pp. 91-192
Guest Editor: Kurt Taroff
Editor: Jana O’Keefe Bazzoni
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ESSAYS
THE POWER OF ROLE AND THE ROLE OF POWER IN PIRANDELLO’S THEATRE
David Escoffery, pp. 7-22BROKEN DOLLS AND HANGING PUPPETS: PIRANDELLO’S GROTESQUE BODIES
Marella Feltrilli-Morris, pp. 23-38THE GROTESQUE IN THE FIRST ENGLISH TRANSLATIONS OF SIX CHARACTERS IN SEARCH OF AN AUTHOR AND HENRY IV
Valerie Petrocchi, pp. 39-54HIDDEN SENTIMENTS, UNFINISHED PROJECT: PIRANDELLO, FILM, AND LA NUOVA COLONIA
Stefano Giannini, pp. 55-70PERFORMANCE REVIEWS
CECE. K STAGED READING AT THE PLAYERS CLUB
Jane House, pp. 71-76HENRY IV AT THE ST. LOUIS REPERTORY THEATRE
Lynn Colley, pp. 77-82AS YOU DESIRE ME IN LONDON
John Louis DiGaetani, pp. 83-84BOOK REVIEWS
Sarah Zappulla Muscara Catania. LUIGI E STAFANO PIRANDELLO, NEL TEMPO DELLA LONTANANZA (1919-1939).
Maria Vitti-Alexander, pp. 85-88Elio Previdenti. COLLOQUI CON PIRANDELLO.
Giuseppe Faustini, pp. 89-95
Editor: Jana O’Keefe Bazzoni
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ESSAYS
PIRANDELLO’S DOUBLE VISION(S)
Rosemarie La Valva, pp. 7-26MULTIPLE PERSONALITIES: REFLEXIVITY AND LEVELS OF BEING IN PIRANDELLO’S SIX CHARACTERS IN SEARCH OF AN AUTHOR
Kurt Taroff, pp. 27-36A MADMAN IN THE MIRROR: PIRANDELLO’S DOUBLES IN ONE, NO ONE, AND ONE HUNDRED THOUSAND
Marella Feltrin-Morris, pp. 37-47LUIGI PIRANDELLO’S TWO AMERICAN SOJOURNS: RECEPTION AND REPRESENTATION OF AMERICA
Giuseppe Faustini, pp. 47-61PHOTO ESSAY: PIRANDELLO IN AMERICA I
PIRANDELLO’S INFLUENCE ON TWO OF ARGENTINA’S FOREMOST AUTHORS
James Troiano, pp. 71-81MARTA ABBA, LUIGI PIRANDELLO, AND THE CLEVELAND CONNECTION
Alfonso D’Emilia, pp. 81-85PHOTO ESSAY: PIRANDELLO IN AMERICA II
PERFORMANCE REVIEWS
INTERVIEW WITH JOHN MARTELLO: THE MAN WITH A FLOWER IN HIS MOUTH
Mimi Gisolfi D’Aponte, pp. 91-76PIRANDELLIANISM ON BROADWAY
Roger W. Oliver, pp. 99-103
Editor: Jana O’Keefe Bazzoni
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ESSAYS
IL FU MATTIA PASCAL: BIBLIOTECA-MUSEO LUIGI PIRANDELLO
Vincenzo Caruso, pp. 5-10MEMORIAL TONE IN IL FU MATTIA PASCAL
Enzo Lauretta, pp. 11-16THE ONE HUNDREDTH ANNIVERSARY OF A MASTERFUL NOVEL
Umberto Mariani, pp. 17-30THE EMBODIMENT OF UMORISMO IN THE LATE MATTIA PASCAL
Carmela Scala, pp. 31-42THE ORDER OF WRITING AND DEATH IN PIRANDELLO’S IL FU MATTIA PASCAL
Massimo Lollini, pp. 43-56PHOTO ESSAY: PUBLICATION OF IL FU MATTIA PASCAL
FIN DE SIECLE OCCULTISM IN IL FU MATTIA PASCAL
Daniela Castelli, pp. 73-90WHY IL FU MATTIA PASCAL: A QUESTION FOR MARIO MONICELLI
Daniela Bini, pp. 91-106THE POSTERITY OF IL FU MATTIA PASCAL: IMAGES OF THE DIVIDED SELF IN THE TWENTIETH CENTURY
Dominique Budor, pp. 107-114MATTIA PASCAL, FILM’S CONTEMPORARY: PIRANDELLO’S FAMOUS NOVEL MARKS A CENTURY
Alessandro Tinterri, pp. 115-119PHOTO ESSAY: MATTIA PASCAL ON FILM AND STAGE
IL FU MATTIA PASCAL CENTENNIAL PROGRAM EVENTS: Genoa, Rome, New York, Princeton, Agrigento
BOOK AND THEATRE REVIEWS
Dominique Budor. MATTIA PASCAL TRA PAROLA E IMMAGINE. DAL ROMANZO DI PIRANDELLO A DYLAN DOG.
Daniela Bini, pp. 139-142Mimi Gisolfi D’Aponte. THEATER NEAPOLITAN STYLE: FIVE ONE-ACT PLAYS BY EDUARDO DE FILIPPO.
Jane House, pp. 143-146Eric Bentley. PIRANDELLO’S RIGHT YOU ARE.
John Louis DiGaetani, pp. 147
Editor: Jana O’Keefe Bazzoni
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ESSAYS
ON THE ALLEGED MISOGYNY OF LUIGI PIRANDELLO
Umberto Mariani, pp. 7-24PIRANDELLO’S THE NEW COLONY. ITS VARIOUS FORMS AND MARTA ABBA
Giovanni R. Bussino, pp. 25-34LUIGI PIRANDELLO’S GREEK HEROINES: DIANA AND TUDA
Angela Belli, pp. 35-42WATCHERS, PUPPET MASTERS AND TESTIFIERS: THE IO EPICO CHARACTER IN PIRANDELLO, MARINETTI AND / GROTESCHI
Jana O’Keefe Bazzoni, pp. 43-58PIRANDELLIAN INFLUENCES IN JOAO PEDRO DE ANDRADE’S CONTINUANDO DA COMEDIA
Kathryn Wylie-Marques, pp. 59-70SPECIAL SECTION: PIRANDELLO’S WHY? (PERCHE? 1892)
PIRANDELLO’S YOUTHFUL PASSION: WRITING FOR THE THEATRE
Jane House, pp. 71-76PIRANDELLO’S WHY? (PERCHE?)
Translated by Jane House, pp. 77-85WHY?, PERFORMANCE PHOTOGRAPHS AND ANNOUNCEMENTS
pp. 86-88THE FIN-DE-SIECLE ITALIAN STAGE
Marvin Carlson, pp. 89-93LUIGI PIRANDELLO’S WHY? AT L’ISTITUTO ITALIANO DI CULTURA
Beate Hein Bennett, pp. 94-95THEATRE AND BOOK REVIEWS
PIRANDELLO AT NYU’S CASA ITALIANA ZERILLI-MARIMO
Mimi Gisolfi D’Aponte, pp. 96-97L’UOMO DAL FIORE IN BOCCA
Announcement, pp. 98ZEFFIRELLI’S ABSOLUTELY! (PERHAPS), A LONDON PRODUCTION OF COSI E (SE VI PARE)
John Louis DiGaetani, pp. 199-100ABSOLUTELY! (PERHAPS) Program and Photographs, pp. 101
Umberto Mariani. LA CREAZIONE DEL VERO: IL MAGGIOR TEATRO DI PIRANDELLO.
Andrea Guiati, pp. 104-106Martha King, Mary Ann Frese Witt, trans. HER HUSBAND.
Rose Fichera McAloon, pp. 107-108
Editor: Anne Paolucci
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PIRANDELLO SOCIETY AWARDS DINNER HONORING EDWARD ALBEE (November 21, 2000)
PIRANDELLO SOCIETY AWARDS DINNER HONORING JOHN MARTELLO (October 24, 2001)
ESSAYS
PIRANDELLO AND STRINDBERG: THE PLAY AS THERAPY FOR PSYCHIC DISORDER
Angela Belli, pp. 15-23THE ROLE OF PRIMITIVE RAGE IN LUIGI PIRANDELLO’S SIX CHARACTERS IN SEARCH OF AN AUTHOR
Rose Fichera McAloon, pp. 24-30PIRANDELLO’S DENOMINATION OF MADNESS
Giovanni R. Bussino, pp. 31-37AS HE DESIRED HER: A GIRARDIAN READING OF PIRANDELLO’S LOVE LETTERS TO MARTA ABBA
Kathryn Wylie Marques, pp. 38-53REWRITING PIRANDELLO: ADOBO THEATRE CO.’S ADAPTATION OF EACH IN HIS OWN WAY
Jordan Schildcrout, pp. 54-64SYNCOPATED ACTS: STRUCTURE AND CHARACTER IN PIRANDELLO, THE FUTURISTS AND I GROTTESCHI
Jana O’Keefe Bazzoni, pp. 65-79TRANSLATING PIRANDELLO INTO THE 21ST CENTURY: LITERARY, HISTORICAL AND LINGUISTIC CHALLENGES
Martha King, pp. 80-89
Editor: Anne Paolucci
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ESSAYS
PIRANDELLO’S WOMAN WRITER AND THE BIRTH METAPHOR: PROBLEMS IN TRANSLATION
Mary Ann Frese Witt, pp. 7-15"COMEDY” IN ONE ACT BY LUIGI PIRANDELLO AND EDUARDO DE FILIPPO
Mimi Gisolfi D’Aponte, pp. 16-26PIRANDELLO AND HIS PORTUGUESE CONTEMPORARIES: PLAYWRIGHTS RAUL BRANDAO AND JOSE REGIO
Kathryn Wylie Marques, pp. 27-38THE INFLUENCE OF PIRANDELLO IN LATIN AMERICA
Janies J. Troiano, pp. 38-49PIRANDELLO SOCIETY 1999 AWARDS DINNER
BOOK REVIEWS
Nina daVinci Nochols and Jana O’Keefe Bazzoni. PIRANDELLO AND THE FILM.
Benito Ortolani. PIRANDELLO’S LOVE LETTERS TO MARTA ABBA.
Kathryn Wylie Marques, pp. 68-73THEATER NOTES AND REVIEWS
THE FREAK OF NATURE; AS YOU SEE IT
Nina daVinci Nichols, pp. 74-87SIX CHARACTERS IN SEARCH OF AN AUTHOR (The Arlington Players)
pp. 88-89RIGHT YOU ARE (IF YOU THINK YOU ARE) (TACT)
p. 90NAKED (Classic Stage Company)
p. 91CONFERENCES AND ANNOUNCEMENTS
(Reprints) FROM 11 CASTELLO DI ELSINORE
Roberto Algone, Benito Ortolani, pp. 94-102(Reprint) LA BALIA, CULTURA & SOCIETA
p. 103ENRICO IV: PIRANDELLO’S CUBIST QUADRO
Rosanna Vitale, pp. 104-111
Editor: Anne Paolucci
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ESSAYS
STORY TO PLAY: TOWARD A THEORY OF SELF-ADAPTATION
Robert S. Dombroski, pp. 7-19NARRATIVE IN PIRANDELLO’S PLAYS
Anne Paolucci, pp. 19-31“THE PLAYERS” HOSTS PSA’S 40TH ANNIVERSARY DINNER
pp. 31-47ASPECTS OF ITALIAN FUTURISM IN PIRANDELLO’S TONIGHT WE IMPROVISE
Davis S. Escoffery, pp. 47-60REENVISIONING PIRANDELLO FOR THE CONTEMPORARY STAGE: CRITICAL AND DIRECTIONAL INTERVENTIONS
Jana O’Keefe Bazzoni, pp. 60-77HENRY IV Belmont Italian American Playhouse
pp. 88SIX CHARACTERS FIND A DIRECTOR (The Juilliard School)
Nina daVinci Nichols, pp. 91-95SIX CHARACTERS IN SEARCH OF AN AUTHOR (The Jean Cocteau Repertory)
Kathryn Wylie Marques, pp. 95
Editor: Anne Paolucci
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ESSAYS
PIRANDELLO’S THEORIES OF COMEDY AND SHAKESPEARE’S CLOWN
Maurice Charney, pp. 7-16TEMPEST AND MOUNTAIN GIANTS
Nina daVinci Nichols, pp. 16-25THE FRUSTRATED QUEST FOR SYMBIOSIS IN PIRANDELLO
Rose Fichera McAloon pp. 25-34ENRICO IV: PIRANDELLO’S CUBIST QUADRO
Rosanna Vitale, pp. 34-42DEDICATION TO G.B. SHAW FROM PIRANDELLO
Courtesy, Dan H. Laurence and Eric Bentley, pp. 42-43DEDICATION TO RUTH DRAPER FROM PIRANDELLO
Courtesy, Eric Bentley, pp. 44-45SPECIAL REPORT; PIRANDELLO SOCIETY AWARDS DINNER (November 10, 1995)
THEATRE REVIEWS
HUGO WEISGALL’S OPERA OF SIX CHARACTERS IN SEARCH OF AN AUTHOR Manhattan School of Music,
pp. 55-56OPERA REVIEW
“SIX CHARACTERS IN SEARCH OF AN OPERA”
Jon Messman, pp. 56-61“THE PIRANDELLO SIX, SINGING BUT STILL DYSFUNCTIONAL”
Allan Kozinn, pp. 61-62“WEISGALL’S NEGLECTED ‘SIX CHARACTERS’ FINDS NEW LIFE AT THE LYRIC”
John von Rhein, pp. 62-63“OPERA: PIRANDELLO PLOT”
Howard Taubman, pp. 63“WASHINGTON CRITICS HAIL WEISGALL WORK”
NY Times, pp. 63“SIX CHARACTERS IN SEARCH OF AN AUTHOR”
Richard Franko Goldman, pp. 64-69Photograph: SCENE FROM PREMIERE OF HUGO WEISGALL’S OPERA
NY Herald Tribune, pp. 69-70“MUSIC: WEISGALL’S ‘SIX CHARACTERS’”
Howard Taubman, pp. 70-71NEW BOOKS
Nina daVinci Nichols and Jana O’keefe Bazzoni. PIRANDELLO AND THE FILM.
Kathryn Wylie Marques, pp. 71-75NOTICES, REPRINTS, ANNOUNCEMENTS, EVENTS
LETTER FROM GIORGIO STREHLERDir., Piccolo Teatro di Milano,
pp. 75-76“OMAGGIO A LUIGI PIRANDELLO”Art Exhibit, Agrigento,
pp. 76-77“PIRANDELLO, DE FILIPPO AND FO IN BULGARIA”
Mario Fratti, pp. 77-78“PIRANDELLO A NEW YORK”
America Oggi, pp. 78-79JEAN COCTEAU REPERTORY’S PRODUCTION OF SIX CHARACTERS
QUEENS COLLEGE PRODUCTION OF SIX CHARACTERS
New York Voice, p. 80
Editor: Anne Paolucci
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ESSAYS
PIRANDELLO, NIETZSCHE AND THE GOOD MASK
Daniela Bini, pp. 5-17PIRANDELLO IN GERMANY (1924-1930) AND TONIGHT WE IMPROVISE
Jane House, pp. 17-32GERMANY: THE BIOGRAPHICAL CONNECTION
John DiGaetani, pp. 32-39ON AND OFF THE RIALTO (“La Cronista”)
pp. 39-48CARTEGGI: SULLE LETTERE DI PIRANDELLO A MARTA ABBA. VA IN SCENA LA POLEMICA
Tommaso Zerlina, pp. 48-50READINGS/PRODUCTIONS/CONFERENCES
Indiana University Theatre, Bloomington: “SIX CHARACTERS IN SEARCH OF AN AUTHOR.” Trans. Mark Musa
James Fisher, p. 50New York Theatre Workshop: “PIRANDELLO’S MAN, BEAST AND VIRTUE.”
Michael Kowal, p. 53“PIRANDELLO AT BOSTON COLLEGE”
Nina DaVinci Nichols, p. 58
Editor: Anne Paolucci
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INTO THE NEW CENTURY
Anne Paolucci, pp. 9-12AN EVENING WITH GIORGIO STREHLER The Mountain Giants,
pp. 12-17Article: ART CAN DIE, PIRANDELLO WARNED IN HIS LAST PLAY
Giorgio Strehler, translated by Terry D’Alfonso, pp. 17-20Review: I GIGANTI DELLA MONTAGNA’ OGGI PIU ATTUALE CHE MAI
Enzo Ficile, pp. 20-21Article: A GO-BETWEEN FOR AN AUTHOR AND HIS AUDIENCE
Mel Gussow, pp. 21-25Review: “GIANT” OF A PLAY AT BAM
Clive Barnes, pp. 25-26GIORGIO STREHLER ON THE ART OF THEATRE (Interview)
Nina da Vinci Nichols, pp. 26-30POSTSCRIPT ON STREHLER’S PRODUCTION OF THE MOUNTAIN GIANTS AND THE FUTURE OF PIRANDELLO’S THEATER IN AMERICA
Anna Paolucci, pp. 30-37Review: SHAPING PIRANDELLO’S EXISTENTIAL HAZE
Ben Brantley, pp. 37-39Review: T GIGANTI’ FANNO BAM
Mario Fratti, pp. 39-42Article: DI LA DA SPAZIO E TEMPO
Nina da Vinci Nichols, pp. 42-43Article: DIRECTING “GIANTS” IS A TALL ORDER
Mary Talbot, pp. 43-44Article: PREPARE A WELCOME FOR GIORGIO STREHLER
Linda Winer, pp. 44-46BAM PROGRAM OF THE MOUNTAIN GIANTS
Announcement: “INTORNO A PIRANDELLO” DRAMATIC READINGS AT NEW YORK UNIVERSITY
directed by Giorgio Strehler, pp. 55-56LETTER FROM PIRANDELLO TO VITTORINI, WITH ENGLISH TRANSLATION
Eric Bentley, pp. 56-58NEW BOOKS: Jane House & Antonio Attisani, eds., 20TH CENTURY ITALIAN DRAMA.
Anna Paolucci, pp. 58-60MARRIAGE SICILIAN STYLE: SCENES FROM PIRANDELLO’S THE PLEASURE OF HONESTY AND MAN, BEAST AND VIRTUE AT THE ENRICO FERMI CULTURAL CENTER
Nishan Parlakian, pp. 60
Editor: Anne Paolucci
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ESSAYS
PIRANDELLO IN A BIND
Anne Paolucci, pp. 5-9PIRANDELLO, SAROYAN, AND THE ABSURD
Nishan Parlakian, pp. 9-22“CHU CHIN CHOW”: MUSIC AND LYRICS USED IN SIX CHARACTERS IN SEARCH OF AN AUTHOR
Eric Bentley, pp. 22-27THOUGHTS ON TEACHING PIRANDELLO
Zoe C. Kaplan, pp. 27-31REVIEW ARTICLE: NEW BOOKS ON PIRANDELLO
Benito Ortolani, trans. and ed, PIRANDELLO’S LOVE LETTERS TO MARTA ABBA
Maggie Gunsberg, PIRANDELLO’S LOVE LETTERS TO MARTA ABBA
John DeGaetani, ed., A COMPANION TO PIRANDELLO STUDIES
Anna Paolucci, pp. 31-44RECENT PRODUCTION/REVIEWS
Jean Cocteau Repertory: ENRICO IV
Tribeca Lab: AS YOU DESIRE ME, SICILIAN LIMES, THE MAN WITH THE FLOWER IN HIS MOUTH
Graduate Center/CUNY and Italian Cultural Institute: THE PLEASURE OF HONESTY (NOTES)
pp. 44-62OFFBEAT PIRANDELLO OFF OFF BROADWAY
Nina da Vinci Nichols, pp. 62-69Graduate Center/CUNY and Italian Cultural Institute: THE PLEASURE OF HONESTY
pp. 69-72THE TRIUMPH OF “HONESTY”
Michael Kowel, pp. 72-75PIRANDELLO 1993: “SCADUTI I DIRITTI, EDITORI IN LIZZA
Reprinted from La Stampa, pp. 75-79PIRANDELLO NEGLI STATI UNITI: SI PUO E SI DEVE FARE DI PIU
Reprinted from America Oggi, p. 79
Editor: Anne Paolucci
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ESSAYS
THE “PIRANDELLIAN” ALBEE
Matthew Roudane, pp. 12-19THEATRE OF THE GROTESQUE: MEYERHOLD, PIRANDELLO, AND ALBEE
Susan Haedicke, pp. 19-34THE PIRANDELLIAN AUTHOR IN SEARCH OF HIS AUDIENCE: ALBEE’S THE MAN WHO HAD THREE ARMS
Anne Paolucci, pp. 34-48PIRANDELLO, ALBEE, AND AYCKBOURN: AN ABSURDIST TRADITION
John Louis DiGaetani, pp. 48-55PIRANDELLO: LEADER OF THE ABSURD (Reprinted from Program Book for the Arena Stage Production of Pirandello’s
It’s the Truth [If You Think It Is])
Anna Paolucci, p. 55
Editor: Anne Paolucci
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ESSAYS
DIDASCALIC DISCOURSE, REPRESENTATION, AND PIRANDELLO’S SIX CHARACTERS IN SEARCH OF AN AUTHOR
Matthew Roudane, pp. 7-18LOOKING FOR LOVE IN ALL THE WRONG PLACES
Leslie Kane, pp. 18-29RHETORICAL ASPECTS OF SIX CHARACTERS IN SEARCH OF AN AUTHOR
Martin J. Jacobi, pp. 29-40THE TRADITION OF THE THEATRICAL PRESENTATION OF THE INSANE AND PIRANDELLO’S SIX CHARACTERS
John Louis DiGaetani, pp. 40-45A DIRECTOR’S READING OF PIRANDELLO’S SIX CHARACTERS
Nishan Parlakian, pp. 45-51Theater Review: HENRY IV IN LONDON’S WEST END (1990)
John Louis DiGaetani, p. 51
Editor: Anne Paolucci
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ESSAYS
SIX CLOWNS IN SEARCH OF AN AUTHOR: PIRANDELLO’S SIX CHARACTERS AND COMMEDIA DELL’ARTE
John Louis DiGaetani, pp. 7-12PIRANDELLO’S SICILIAN COMEDIES AND THE COMIC TRADITION
Mary Ann Frese Witt, pp. 12-21A PORTRAIT OF PIRANDELLO BY ROWLEY SMART
Eric Bentley, pp. 21-22COMMEDIA MOTIFS IN PIRANDELLO’S EACH IN HIS OWN WAY
Mark Spergel, pp. 22-30IN MEMORIAM: DR. PHILIP A. FULVI
pp. 30-32A BRIEF “HISTORY” OF THE PIRANDELLO SOCIETY’S ACTIVITIES AND PROGRAMS
Nishan Parlakian, p. 32
Editor: Anne Paolucci
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ESSAYS
SPECIAL PRESENTATION BY JOSEPH MASELLI TO THE PIRANDELLO SOCIETY OF AMERICA MLA/PSA
Meeting, December 1988, New Orleans, pp. 5-6MADNESS AS MASK: THEMES AND VARIATIONS IN ENRICO IV
Maria Rosaria Vitti-Alexander, pp. 6-16A DIRECTOR’S THOUGHT ON HENRY IV
Nishan Parlakian, pp. 16-23BRIEF COMMENTS ON ENRICO IV
Philip A. Fulvi, pp. 23-26ENRICO IV/THE EMPEROR: Notices and Review of The Oregon Shakespeare Festival Production (Ashland, 1988)
Anne Paolucci, p. 26
Editor: Anne Paolucci
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ESSAYS
PIRANDELLO’S “HUMORISTIC” TREATMENT OF MARRIAGE
Kathryn Wylie, pp. 5-14SIX CHARACTERS IN SEARCH OF AN AUTHOR: Notices of the Hollywood Television Theatre Production of Norman Lloyd (1976)
Anne Paolucci, pp. 14-22SIX CHARACTERS AT PACE UNIVERSITY: The Jean Cocteau Repertory Production (1986)
Jana O’Keefe-Bazzoni, pp. 22-28PIRANDELLO: A TRANSLATOR’S PERSONAL VIEW
Giovanni R. Bussino, pp. 28-36TRANSLATING PIRANDELLO INTO ENGLISH
Giuseppe Faustini, p. 36
Editor: Anne Paolucci
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ESSAYS
THE JAPANESE RECEPTION OF PIRANDELLO
John K. Gillespie, pp. 3-7PIRANDELLO AND THE TWENTIETH CENTURY FRENCH THEATER
Philip A. Fulvi, pp. 7-12AUTHORS AS TRANSCRIBERS — PIRANDELLO AND UNAMUNO: THE CHALLENGING CONFRONTATION BETWEEN AUTHORS AND THEIR CHARACTERS
Marie-Lise Gazarian Gautier, pp. 12-17“VICTOR/VICTORIA” AND PIRANDELLO’S ENRICO IV: THE FORGING OF MASKS
Victor Carrabino, pp. 17-23BOOK REVIEWS
Stefano Miloto, ed., PIRANDELLO E IL TEATRO DEL SUO TEMPO
Enzo Lauretta, ed., PIRANDELLO E IL TEATRO
Antonio Alessio, PIRANDELLO PITTORE
Elio Providenti, pp. 23-28
Editor: Anne Paolucci
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PIRANDELLO AND THE FRENCH CONNECTION
PROCEEDINGS OF THE MLA/PSA ANNUAL MEETING, CHICAGO 1985
PIRANDELLO AND GIRAUDOUX
Philip A. Fulvi, p. 3THE DOUBLE IN PIRANDELLO AND GIDE: “IL FU MATTIA PASCAL” AND “LES CAVES DU VATICAN”
Moses M. Nagy, p. 11FORUM FOR MEMBERS
RECENT LETTERS
p. 19MLA/PSA FORTHCOMING MEETING, SAN FRANCISCO, 1987
p. 21PUBLICATIONS
p. 21SUBMISSIONS
p. 21IN FOCUS “A PIRANDELLO TRIBUTE TO REINHARDT
Antonio Illiano, p. 22BOOK REVIEWS
Sarah Z. Muscara, PIRANDELLO IN GUANTI GIALLI
Anthony Costantini, pp. 24-26Antonio Illiano, METAPSICHICA E LETTERATURA IN PIRANDELLO
Giovanna Wedel Anderson, pp. 24-26Franco Zangrilli, L’ARTE NOVELLISTICA DI PIRANDELLO
Giovanni Faustini, pp. 29-30
Editor: Anne Paolucci
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SPECIAL FEATURE
THE PIRANDELLO SOCIETY OF AMERICA 25TH ANNIVERSARY CELEBRATION (A.P.)
ESSAYS
THE STRUCTURE OF PIRANDELLO’S SHORT STORIES
Franco Zangrilli, pp. 15-22FICTION OR THEATER: THE CHARACTER’S DRAMA IS THE THING
Umberto Mariani, pp. 22-28BOOK REVIEW
Eric Bentley, THE PIRANDELLO COMMENTARIES
Jana O’Keefe Bazzoni, pp. 28-31FORUM FOR MEMBERS
REPORT ON THE A.A.I.S./PIRANDELLO PROGRAM IN TAMPA, FLORIDA, APRIL 1985
Giuseppe Faustini, p. 31