TABLE OF CONTENTS
ESSAYS
“CONTINENTAL AIR”: PERFORMING IDENTITY IN “LEONORA, ADDIO!”, L’ARIA DEL CONTINENTE, AND QUESTA SERA SI RECITA A SOGGETTO
Elisa Segnini, pp. 13-43
LA CANZONE DELL’AMORE: ADAPTING PIRANDELLO TO FASCISCT PROPAGANDA
Paolo Campolonghi, pp. 45-61
SCRIPTING “IL CIELO DI CARTA”: THE MEN BEHIND THE CURTAIN IN PAOLO AND VITTORIO TAVIANI’S CESARE DEVE MORIRE
Alessia Palanti, pp. 83-99
PIRANDELLO’S HUMOR AND THE INTERSECTIONS OF TRANSLATION AND DRAMATURGY
Laura A. Lucci, pp. 83-99
IN CONVERSATION
PIRANDELLO’S UNREALIZED FILM, TREATMENT FOR SIX CHARACTERS: AN INTERVIEW WITH FILM DIRECTOR AND ARTIST ANNE-MARIE CREAMER
Anne-Marie Creamer in conversation with Lesley G. Sullivan, pp. 101-115
PERFORMANCE REVIEWS
TONIGHT WE IMPROVISE in Providence, Translated and Directed by Rebecca Maxfield
Anna Santucci, pp. 117-122
REALITY THEATER, STAGING FILM IN THE UNIVERSITY OF NOTRE DAME’S SIX CHARACTERS IN SEARCH OF AN AUTHOR
Thomas Graff, pp. 125-128
SIX CHARACTERS in Brooklyn
Suzanne Epstein, pp. 161-168
MATTIA PASCAL: THE MAN WHO LIVED – A MULTI-VOCAL EXPLORATION OF PIRANDELLO’S ANTI-NOVEL
Krysta Dennis, pp. 135-139
BOOK REVIEWS
Alessandra Sorrentino. LUIGI PIRANDELLO E L’ALTRO. UNA LETTURA CRITICA POSTCOLONIALE. Rome: Carocci Editore, 2013.
Lisa Sarti, pp. 141-145
Michael Rössner and Alessandra Sorrentino, eds. PIRANDELLO E LA TRADUZIONE CULTURALE. Rome: Carocci Editore, 2012.
Michael Subialka pp. 147-150