Editors’ Note
Lisa Sarti and Michael Subialka
ESSAYS
“A CERTAIN ASPECT, A CERTAIN MEANING”: ON TWO ILLUSTRATED EDITIONS OF UNO, NESSUNO E CENTOMILA
Alessio Aletta
THE TRANSLATION AND RECEPTION OF PIRANDELLO IN CHINA: AN ANALYSIS OF INTERNAL AND EXTERNAL FACTORS
Qian Wu
CHARACTERS IN SEARCH, AUTHORS NEARBY: SKETCHES FOR PROBATIONARY THEATER
Juliet Guzzetta
IN CONVERSATION
REIMAGINING PIRANDELLO: MUSIC, TEXT, AND THE MAKING OF AN OPERA
Roberto Scarcella Perino and Federica Anichini in conversation with Lisa Sarti
ADAPTING SIX CHARACTERS FOR THE CONTEMPORARY STAGE AT DUKE UNIVERSITY
Neal Bell and Jonathan Cullen in conversation with Michael Subialka
CREATIVE WORK
TONIGHT WE IMPROVISE—ACT I. THE PREFACE AND THE PREMISE
Nick Gabriel
ENRICO IV, A MONOLOGUE
Laura Caparrotti and Rocco Sisto
BOOK REVIEWS
ANOTHER PIRANDELLO: ON SEAN WILSEY’S TRANSLATION OF ONE, NONE, AND A HUNDRED GRAND AND CONTEMPORARY (MIS)UNDERSTANDINGS OF A MODERNIST CLASSIC
Michael Subialka
JAMIE MACKAY. THE INVENTION OF SICILY: A MEDITERRANEAN HISTORY. LONDON AND NEW YORK: VERSO, 2021.
Pamela Ardizzone
PERFORMANCE REVIEWS
MADNESS IN MUSIC: PIRANDELLO’S HENRY IV ON THE OPERATIC STAGE
Lisa Sarti